
Woburn Historical Society

BURDETT MANSION
Home of
Woburn Historical Society
7 Mishawum Road
PO Box 91
Woburn, MA 01801
781.933.5002
Info@WoburnHistoricalSociety.com
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OFFICE HOURS:
Mondays and Wednesdays
10 am to 2 pm
Saturdays
10 am to 12 pm
As the Woburn Historical Society approaches its
20th anniversary in 2026,
we proudly recognize
John and Kathy Flaherty
for their unwavering support since our founding in 2006.
​​Their generosity has
sustained our mission, provided the Society with a home in the Burdett Mansion since 2010, and enriched the City of Woburn through their continued philanthropy.
The Society is extremely grateful to be a recipient of a
Cummings Foundation Grant
SPONSORS
George's Auto Body of Woburn
Lynch-Cantillon Funeral Home
J. Mul​kerin Realty
J. Sallese & Sons, Inc.
BENEFACTORS
Kiwanis Club of Woburn
Lawton Real Estate, Inc.
Little Folks Day School
Christine Lojko
Rotary Club of Woburn
SUPPORTERS
​Rose L. Blake
Concannon Family
Joanne Conway
Kevin J. Greeley
Mike and Judy Kelley
Andrew Lipsett
Marie Leen
Kathleen McCarthy
Rob and Candice McCulloch
Edmund McGrath & Family
Jim and Joan McPartlin
Meg Meaney
Ashley Serveiss
​
Welcome to the Woburn Historical Society
Monday, December 8th at 7:00 PM
Woburn Memorial High School
Big Band Swing PowerPoint w/Music Clips

John Clark from The Great American Music Experience will present a dynamic PowerPoint with music clips. The Big Band era officially started in the summer of 1935 but the transition from hot jazz and Dixieland had begun much earlier in the decade. We’ll trace the roots of Big Band music, including the back story of the King of Swing himself, Benny Goodman. Then you’ll hear Benny’s hits like Goody, Goody, Taking a Chance on Love and the historic Carnegie Hall performance of Sing, Sing, Sing! You’ll also be treated to live performances of Goodman vocalists Martha Tilton and Peggy Lee. The last third of the program will be devoted to the most popular bandleader of this period, Glenn Miller with 22 chart-topping songs from 1939-1943. You’ll understand the origins of the unmistakable Glenn Miller sound heard clearly in his theme song, Moonlight Serenade. You’ll see live performances of two of his biggest hits, Chattanooga Choo Choo and In the Mood. There’s even footage of Glenn leading the 50-piece Army Air Force Band in the summer of 1944, just months before he boarded the flight to France that took his life. For ten years orchestral jazz became America’s popular music and you’re invited to wax nostalgic as you learn about two of its biggest stars. The program is free and open to the public.
Gravestone Iconology
Gravestone Iconology
Seventeenth-Century Iconology
Headstone icons provide insight into the life of the person buried there. Because hand-carving was labor intensive and expensive (most carvers charged by the letter), icons were sometimes used to help convey the story of the deceased’s life and/or death without the use of words.
In the 17th century, New England Puritan beliefs about being born with "original sin" generated anxieties about "eternal damnation." These Puritan beliefs can be read on the gravestones in the First Burial Ground. The Puritans did not advocate using religious symbols, such as crosses and cherubs, but used motifs such as winged skulls (death's heads), crossed bones, hourglasses, coffins and skeletons.
The skull and crossed bones stood for death of the body while the hourglass served as a reminder that time was passing or time is running out. The standard three-lobed shape of these early Puritan gravestones reflect the belief that to enter eternity, the soul passed through arches and portals.
You will often see the Latin phrases, "Memento Mori" which means Be mindful of death or Remember you will die, and "Fugit Hora" which means Time flies!
One of the finest stone carvers in early New England was Joseph Lamson (1658-1722) of Charlestown, who was known for his expert carving and detailed stones of winged skulls, finials and borders of ornate fruits, vines and flowers. The stones he used were heavy slate from England, expensive stones known for their width, thickness, weight and dark grey color. In the 18th century, light American slate would be used.
Lamson winged skulls typically have some distinctive characteristics including; eyebrows that have hooked ends, eyebrow marks that connect to the nose mark, and a lip-like mark above the teeth.
Eighteenth-Century Iconology
As we entered the 18th century, significant changes in shape, height, design and composition replaced the stark Puritan style.
Winged faces representing resurrection and ever-lasting life, smiling angels, urns, willow trees and cherubs replaced the orthodox Puritan motifs.
The First Burial Ground has several Lamson carved stones; Francis Wyman, John Burbeen, Ann Convers and Abraham Fyfield to name a few.






















